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Neo-Tokyo (film) : ウィキペディア英語版 | Neo Tokyo (film)
, also titled ''Manie-Manie'' on its title card, is a 1987 anime science fiction anthology film produced by Project Team Argos and Madhouse. Conceived and produced by Madhouse founders Masao Maruyama and Rintaro, it adapts short stories by Taku Mayumura featured in the 1986 collection of the same Japanese title〔http://www.amazon.co.jp/dp/4041357470〕 and is executive produced by publisher Haruki Kadokawa. The 50 minute-long film has three segments, each under a different screenwriter and film director: Rintaro's "Labyrinth labyrinthos," an exploration into the maze of a little girl's mind, Yoshiaki Kawajiri's "Running Man," focusing on a deadly auto race, and Katsuhiro Ōtomo's "Construction Cancellation Order," a cautionary tale about man's dependency on technology. In addition to original music by Godiego's Mickie Yoshino, two prominently feature famous pieces of Western classical music: the first of Erik Satie's ''Gymnopédies'' and the "Toreador Song" of Georges Bizet's ''Carmen'' in "Labyrinth" and "Morning Mood" from Edvard Grieg's ''Peer Gynt'' score, in an ironic manner, in "The Order." The film premièred on September 25, 1987, at that year's Tōkyō International Fantastic Film Festival. Other than festival screenings, distributor the Tōhō Company originally relegated the film direct-to-video, releasing a VHS on October 10, 1987, but did eventually give it a general cinema release in Japan, on April 15, 1989. In English, the film was licensed, dubbed and released theatrically (as a double feature with the first ''Silent Möbius'' film) and to VHS in North America by Streamline Pictures, the license later being taken up by the now also out of business ADV Films. ==Plot==
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Neo Tokyo (film)」の詳細全文を読む
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